Blunt knife

sitting in shallow quicksand
mulling over painful stains i say yes
to tankards of dusty nothings
@ 106 El Paso degrees lost
in a rent-per-hour limbo
watching indifferent milagros
stand guard against the inevitable
shit storm and clouds of prying eyes
fumbling papers everywhere yet
not a drop of ink
only non-liquid tears of
a past-due event
something of forgettable proportions
leaves me breathing as if here
but not really there
feeling the all oh-so-sharp
betrayal yet acutely bland as if
a still deeper black
could hide the stiches
if maybe-kinda-as-though
the pain of being discarded
like crumpled pink-slips
tucked inside of eviction notices
could fade to fuzzy
and not hurt like a blunt knife
cutting with careless regret
and lack of purpose

By Ricardo Gonsalves

Biography:

Ricardo has been “writing” in forms as concrete poetry, experimental text and at times using barbed wire to contain written verse. The content of much of his work reflects a push-pull hybridity between the influence of Chicano Art, class struggle and the challenge of experimental expression. Nearly all his work is political and reflects the sharp edges of working class existence. He was Portuguese, born in New Bedford, Mass. in a hardcore working class community. Ricardo was also deeply involved in the Chicano Movement. Arrested for writing an article, with graphics, about how to make Molotov Cocktails. Arrested for rioting during the Chicano Moratorium. Arrested for sales and possession when he got out of the Marine Corp. Currently, he is an official something-or-Other at the Magoski Arts Colony in Fullerton, California.