The Honey Locust By Ann E. Burg

The Honey Locust
Gettysburg, PA

For three long days,
the bloody battle raged.
By the thousands,
I watched them fall—
mustached soldiers
with pointed beards,
and young men
with barely a whisker
on their boyish faces.

Weather-worn
in blue and gray,
with rifled muskets
in their hands,
I heard them shout
and watched
them stumble.

On the fourth day,
rain poured
in benediction
for the confluence
of blood,
and contorted,
shapeless heaps
that would break
a mother’s heart.

By Ann E. Burg

Biography:

Ann E. Burg has been writing since early childhood and though she’s not published any poems since POMES, her first construction paper bound book, Scholastic Press has published a number of her middle grade verse novels. FORCE OF NATURE, a Novel of Rachel Carson will be released next March.

Before the Diagnosis By Riley Gable Fleming

Before the Diagnosis

In Red Rock Canyon, Kate hollers
over onslaught winds filling the car,
whipping our hair wild. She turns down
the whisper of radio, over and over,

like that will aid the volume. I was
picking guava seeds out of my teeth,
pretending not to flick them out the window.

The baby bird came out of nowhere,
smacking straight against the windshield,
It’s rock body bouncing off and back
into the dust storm. Our screams were

pitch-matched, in terror. Kate kept
driving with tears in her eyes, asked,
Can I talk about the orchestra in Phantom
of the Opera so I don’t cry?

I didn’t know yet if the lump on my
chest was malignant, hadn’t told
my mother that I found it 2 days prior
and it had doubled in size, rock-solidified since.

I could have used her sweet delusion
that everything will be fine, everything
is always fine always benign

her always hope faithfully believing,
despite the biome, every bird body
will land in a soft pad of grass.

By Riley Gable Fleming

Biography:

Riley Gable Fleming (she/her) is a makeup artist from Cleveland, Ohio. She is a graduate of Malone University where she studied Creative Writing, English, and Gender Studies. She has been previously published in Rogue Agent, Alt Milk Magazine, Dressing Room Poetry Journal, Local Wolves, and more.

Pulp By Katelyn Brown

Pulp

After the sun has set
the birds are hushed,
and the blue sky fades to black.
I wait until after.
after your final words are silenced in sleep
dreams roam free among the unconscious carnival
and the nightmares seep from the kids’ closets, then
I reign.

I hold the thoughts of my day’s shift,
squeezing them
juicing out the flavor
pouring it into this small glass cup
no pulp they ordered
I provided
I kept the pulp for myself.
I make my way to your table
The clean glass sweats
I watch you from across the room
You swallow my mind
one sip,
clean glass
Slamming it down
begging for more.

I twist off the top of my head
pull out my brain
squeezing it
every drop
it’s all yours,
selfish monster,
I love you.
my mind is yours,
drink up
please don’t waste.
I have no more to give,
no more than my words
drink up my dear!
just leave me the pulp
and leave me the seeds
to grow more memories.
I need them if you want more

go to bed,
my love
let my brain grow for you,
every word for you
every story for you
let me think
and then in the morning
I’ll let you drink.

By Katelyn Brown

Biography:

Katelyn Brown is 20 years old, a poet and currently attends Rutgers University seeking a major in English and creative writing. She is very active in the local open mic and poetry community. She is now working on her first manuscript and hopes to publish a poetry collection soon you can find her on instagram @ Katelynbrownpoetry !

God’s Children Are Little Broken, Imperfect Things Slipping Into Oblivion by Testimony Odey

God’s Children Are Little Broken, Imperfect Things Slipping Into Oblivion

God’s children are little broken things & i am one of them
when I asked God why my aunty is now one with red soil, He sang soothing blues
which only increased the anxiety & depression swimming in my soul.
to wear my grief with peace, i respire to inspire all day long.
so, people look at me & out of clay, they dig out a crown for me
a crown that says i am an inspiration to them with perfection as my last name
and i do not know how to tell them i am tired of respiring to inspire.

God’s children are little imperfect things & i am one of them
sitting all day & admiring other imperfect things, which i have painted in my mind to be perfect.
God’s children are trying to live this life while pursuing happiness and peace,
knowing that it will fade away when the end comes six feet under.
God’s children are trying to find a safe place to stay, because the bullets of this world always stray
until nothing is left but butterflies with broken wings.
tonight, i whisper to the Lord: may my brothers and sisters not become tragic tales
for we are already little broken, imperfect things slipping into oblivion.

by Testimony Odey

Biography:

Testimony Odey is a Nigerian storyteller, YouTuber, and author of two award-winning novels. Her short story, ‘My Juicy Life,’ won the inaugural African Teen Writers Awards and her poem was longlisted and shortlisted for the global Writing Ukraine Prize (2023). Her work has been published on magazines and journals such as Brittle Paper, Paper Lanterns, Tilted House Review, Fiction Attic Press, Kepressng Anthologies, and elsewhere. Currently a fiction editor at Northern Writers Forum (NWF) Journal, she keeps her eyes open for bold and beautiful stories. You can find her on social media @testimonyodey and check out her website: https://linktr.ee/Testimony_Odey.

Silence By Niloufar Behrooz

Silence

It lingers in the air
when the man and
his estranged wife
sit next to each other.

It rests on the city roof
when all the madness has stopped
and the homeless boy
lies awake on a park bench.

It hugs the lonely grandma
who never stops looking
outside the window of her
tiny room at the nursing home.

It infects the room
where a dying man
is saying goodbye
to his photos on the wall.

It whispers in the ears
of a poet who writes
at four in the morning
when all the lights are out.

It ebbs and flows on
the restless waves
that send back empty shells
to a longing shore.

It burdens on the shoulders
of those who witness
injustice and evil
and say or do nothing.

It is the loudest music
no one can ever unhear,
holding words that could trumpet forth
and wake the world to sleepless sound.

By Niloufar Behrooz

Biography:

Niloufar Behrooz is a poet, writer, musician, and night owl. She holds a PhD in English Literature and is a university lecturer in Isfahan, Iran. Her work has appeared in Litro, Classical Poets Society, Parody, Wilderness Literary House Review, Lighten Up Online, Loch Raven Review, Literary Hatchet, World Haiku Review and elsewhere. You can find her on Instagram @niloufarbehrooz

Last Midnight By May Lishen

We walked around Lake of the Isles last midnight. I
asked her when she felt most alive, and she said in
the silence, so I said, we can just be silent for a
moment then, and we were, and we looked out at the
nearly-frozen lake, sky bright and white behind
frosted branches. I joked that NASA must have
cloned the sun and hid it behind those clouds,
because that’s how bright it was. She paused,
looked up, smiled, and said, no, it’s a white curtain,
and behind it God’s up late working. I’m not telling
this story chronologically, this was an earlier moment, before
the shared silence, still a holy moment, but a
different kind of holy, a lighter kind of holy –
anyways, what I meant to get to was this – so we
stood there, and my breath slowed, and I wasn’t
looking at her, and I couldn’t hear her inhales and
exhales, but I knew, without looking, that her breath
had slowed, too.  And I think that’s the simplest
definition of spirituality, knowing something
without any measurable proof. Somehow, in the
middle of the city, it was perfectly quiet, and
perfectly still.  I turned to her and whispered
(because it would have been a violation to speak too
loudly, like we were at church, and the lake was a
priest I didn’t want to speak over) sometimes, lately,
I’ve been getting this feeling – that this life, as
terrible and boring as it can be, is something that I
am glad to have. She said, me too.

By May Lishen

Biography:

May Lishen is a twenty-nine year old woman residing in Minneapolis, but she may have another age and another town by the time you read this. She does not know what else to write about herself as it is all subject to change. She is sending you light, and wishing you peace.

Sacred Enmity By Lorie Ann Grover

Sacred Enmity

At the first globe of blood
slipping down my thigh,
the Southern Baptist patriarchy
thrust me atop their purity pedestal.
With a glance,
they could check under my skirt,
no more than three inches
above my pubescent kneecaps.

They passed my uterus
from sweaty palm to sweaty palm,
weighing its worth and honor,
shoved it back up into place,
and stitched my vulva closed.

May hell not drip from here, they said.

I wobbled on one trembling foot
and pulled up
my slipping knee sock.

By Lorie Ann Grover

Biography:

Lorie Ann Grover has published poetry in children’s periodicals and poetry collections, and fifteen books, spanning best-selling board books, middle grade verse novels, and YA. Her books have been named a VOYA pick, Bank Street College Best Book of the Year, Parents Magazine’s 20 Best Children’s Books, and a Carnegie Library Best Book. She co-founded readergirlz, which received the National Book Foundation’s Innovation in Reading Prize. Lorie Ann has been a mentor for the Children’s Literature Fellows Program of Stony Brook Southampton’s MFA in Creative Writing and Literature. She identifies as a person with disabilities from lupus, Sjogren’s, and rheumatoid arthritis.

Sleepless wandering knees By Soyoon Koo

Sleepless wandering knees

we talk to the dreams
that we store in our
knees every time we
pray for the silence to
understand our noise

we hold remains of the
dead in boxes beneath
our tongues, the remains
of every dream that was
a stillbirth still unspoken

we feel our eardrums spill
out, pulled loose by our
memories breaking
through, to remind us
that not all music can
untangle every history

and some floors are cold
because we have a habit
of leaving the windows
open, always hoping to
let in storms that will
rearrange the mess when
flame fails to refine it

and when another day
breaks, we ask it why the
present turns to past so
quickly and why is it we
run from both: perhaps
because “to move” means
to be undyingly awake

and as we open ourselves
to the vastness

we laugh as much as we
know how to

until we learn

and god do we learn.

By Soyoon Koo

Soyoon Koo is a student of English Literature at University College London, a Word Tonic member, and a writer of rambling poetry and essays, who lives in three countries at once (and keeps pieces of many others with her). She is passionate about equal higher education opportunities for all students, the spirit of pure intellectual curiosity, and finding the best hot chocolate. Her work is upcoming on No Contact.

Waiting By Sarai Makaila

Waiting

I remember the long nights I laid awake,
hoping I was safe,
and the trying hours holding breaths,
keenly cutting ties with sound.

I recall the nasty ways in which you bite:
a twig snaps,
your eyes drag,
your face dies,
bodies move,
and our voices cry.

My feet were stuck in murky waters,
dragging through the mud.
Yet, my body held open arms
to loved ones clawing through the flood.

Open arms–
holding as I was waiting, waiting, waiting,
for someone to set us free.
As I was longing, longing, longing,
to finally be at peace

But it was my body that held open arms.
It was my body.
My body.
My small body.

Waiting, waiting, waiting,
Longing, longing, longing,
Crawling, crawling, crawling

Till it was I
who was unleashed.

By Sarai Flores

Biography:

Sarai Makaila is currently receiving a BA in Music from Pepperdine University. She finds inspiration and strength for her poetry through classical works and the injustices of the world. She yearns to spend her life creating art through literature and music. You can find her piece, “To Be the Sun,” published by WordSwell. Find her on Instagram @saraimakaila

The Callery Pear By Ann E. Burg

The Callery Pear
New York, New York

Even with our pretty white flowers
and fancy autumn dresses,
people call my kind a pest,
invading proper gardens
and blooming
where we aren’t wanted,
the leaves of so many sisters
sprayed with toxins
or their heads
lopped off with a chain saw,
their stumps
painted with poison
to annihilate them
and make room for natives only.
On the day the towers fell,
everything changed—
my crown was severed
by the weightiness
of broken steel and stone—
my bones cracked—
my roots and limbs snapped—
my trunk blackened.
Mortally wounded, still I pushed
my leaves above the rubble
into the lingering
smoke and ash.
Tender hands found me,
nursed me back to health
and brought me home again.

The towers are gone.

Throughout the land
my sisters remain reviled

yet here I proudly stand,
a symbol of hope and survival.

Once a dove nested in my boughs.
Every spring I wait for her return.

By Ann E. Burg

Biography:

Ann E. Burg has been writing since early childhood and though she’s not published any poems since POMES, her first construction paper bound book, Scholastic Press has published a number of her middle grade verse novels. FORCE OF NATURE, a Novel of Rachel Carson will be released next March.